New Pages has posted the following announcement
ZYZZYVA Seeks a New Editor
In the Editor's Note of the most recent ZYZZYVA, Howard Junker announces his intent to retire from the magazine, which is now seeking his successor, someone who "will have to be different, will have to take a new direction, because the times have changed." The informal job description Junker gives draws upon a response he once gave to a Paris Review Questionnaire about "the key ingredients needed to keep a literary magazine afloat." Junker writes: "Taking its editor George Plimpton as my model, I declared: An independent income is the basic flotation device. Having the office in the editor's basement reduces rent and the editor's commute. Also helpful because, even if the budget remains modest, attracting money is key: good looks, charm, guts, a thick skin, a sense of humor, a good work ethic, luck, and the ability to spot and nurture talent." Sound like anybody you know? If so, Junker closes his editorial: "If you have someone in mind, please let me know.
Ah yes, that would be cool. But an independent income? Uh, no.
In other news: nice party at work today for two people who just became citizens and also for one who was getting married. He had lived 15 years with his boyfriend and they are getting married this weekend. Very cool celebration -- about a dozen pizzas, three cakes, ice cream, champagne. I work in a cool place.
Tuesday, September 09, 2008
Friday, September 05, 2008
Not what it was quacked up to be
On Tuesday, we're getting the 78 year old furnace in our house replaced with a more energy-efficient one. The following phone call really happened: (John is a photographer and has done a lot of weird jobs in his time -- or that's his excuse.)
Woman: I'm calling to remind you of the job on Monday.
John: Uh, could you remind me what job this is?
Woman: You know, the ducks in the basement.
John: Ducks in the basement?
Woman: Yeah, the ducks?
John: Can you give me a few more details?
Woman: You know, the asbestos removal? The ducts?
John: Oh, the ducts!
Woman: I'm calling to remind you of the job on Monday.
John: Uh, could you remind me what job this is?
Woman: You know, the ducks in the basement.
John: Ducks in the basement?
Woman: Yeah, the ducks?
John: Can you give me a few more details?
Woman: You know, the asbestos removal? The ducts?
John: Oh, the ducts!
Sunday, August 31, 2008
Staring into the sun at whales



Yesterday evening we droveagain to Funston, the cliffs overlooking the Pacific that are about 10 minutes away from our house, with the dog. I said, offhand, that since the fog was gone, it would be nice to see the sunset and whales. It's amazing how fast you can get used to something extraordinary!
Well, they were out there again! Lest you think I'm making this up or having flashbacks to an earlier more innocent time, here's corroboration.
You probably associate whale watching with wind and cold and sea spray and possibly getting seasick. Sitting on a nice warm sand dune with your dog beside you is a much more fun way to watch whales. And hang gliders. And pelicans.
Wednesday, August 27, 2008
View from here ....
I feel thoroughly put down and bested by the I-Can-Do-Anything-You-Can Do-Better barrage. I'm so not good at debate. It shoots me right back into my childhood and my father and brother ganging up to belittle me and make me unnerved by calling me "emotional."
All I wanted to say was don't blame the victim in the Cider Press thing -- and sure, she should have been more careful early on, but hey, does this mean no competitions are legitimate? Yeah, they cost money (so do a good many of the "open" submissions -- and there are fewer and fewer of them, even so), but when people pay $4 for a Starbucks, is a $20 fee for a book contest so awful? I don't buy Starbucks and I brown-bag my lunch. So I enter some competitions -- not every damn one, but some.
All I said is self publishing smacks of desperation -- to me, for me. Yeah, a lot of crap gets published every which way, no argument there.
I'd like to publish a magazine, maybe, someday. But right now I spend my day working and driving to work. There's not a lot of time left for being human, let alone writing. That said, I'd better get back to my work.
All I wanted to say was don't blame the victim in the Cider Press thing -- and sure, she should have been more careful early on, but hey, does this mean no competitions are legitimate? Yeah, they cost money (so do a good many of the "open" submissions -- and there are fewer and fewer of them, even so), but when people pay $4 for a Starbucks, is a $20 fee for a book contest so awful? I don't buy Starbucks and I brown-bag my lunch. So I enter some competitions -- not every damn one, but some.
All I said is self publishing smacks of desperation -- to me, for me. Yeah, a lot of crap gets published every which way, no argument there.
I'd like to publish a magazine, maybe, someday. But right now I spend my day working and driving to work. There's not a lot of time left for being human, let alone writing. That said, I'd better get back to my work.
Sunday, August 24, 2008
Thar She Blows!

Whales! We were out at Funston with poochie, and there — so close you could almost touch 'em — were whales! Lots of 'em, breaching and blowing. We watched for about an hour. It was hard to tear ourselves away!
We've never seen whales from there or anywhere in San Francisco. We've recently seen dolphins from there, but these were definitely whales (John carries his binoculars, of course.) And it's not even migratory season.
I was pretty depressed this morning about stuff, but this helped take me out of myself.
Friday, August 22, 2008
Whoo-hoo! Yowza! Hurray!

Last night was the second opening of John's photography show, of characters in the San Francisco Opera. Last week was for the Bravo Club only; this week for everyone else. So the show has been up for eight (count 'em) days -- and he has sold eight prints! If you don't know how amazing that is, let me tell you: it is very amazing! But everyone has loved the work!
John has worked so long and hard for this, and I'm so happy for my sweetie! If you're in the neighborhood (Gallery 645, at Michael Thompson Framing, 647 & 645 7th Street, San Francisco CA, 94103), go see it! It will be up until September 25.
Wednesday, August 13, 2008
It's Only Rock n' Roll ...

... but I like it! In fact, I loved it, really, the Rolling Stones move, "Shine A Light" that I saw last night on DVD. I was dancing around the living room, despite the fact that it embarrassed John and the dog. I want to see it again!
But I was up too late on a work day, and now I'm fighting off sleep.
Tuesday, August 05, 2008
Works for me
Greg and Leslie have written about their poetry "rules." I liked reading theirs. I'm not sure I really have rules, though I can generalize, somewhat, about what works or doesn't work for me.
First: endings. I rarely, if ever, know where a poem will end, which may be why so many of my poems end not with bangs but whimpers. Sometimes they don't end as much as they stop. But I confess that I think that's okay. If, in a sense, my poem takes the reader somewhere, I prefer not to announce that we've arrived.
Sound is important to me, as I've said here before. And texture. I like to use the syntax of the English sentence, working with breath and line endings for tension. So, an easy, colloquial speech, but not flatness. A mix of diction -- good crunchy words, but not arcane or archaic usage.
I lean to the lyric. Narrative elements are often present, but in most poems, they are subjugated to the lyrical impulse. The experience or the experiment is more important than the story.
I am very much one of the humankind of whom Eliot noted cannot bear too much reality.
First: endings. I rarely, if ever, know where a poem will end, which may be why so many of my poems end not with bangs but whimpers. Sometimes they don't end as much as they stop. But I confess that I think that's okay. If, in a sense, my poem takes the reader somewhere, I prefer not to announce that we've arrived.
Sound is important to me, as I've said here before. And texture. I like to use the syntax of the English sentence, working with breath and line endings for tension. So, an easy, colloquial speech, but not flatness. A mix of diction -- good crunchy words, but not arcane or archaic usage.
I lean to the lyric. Narrative elements are often present, but in most poems, they are subjugated to the lyrical impulse. The experience or the experiment is more important than the story.
I am very much one of the humankind of whom Eliot noted cannot bear too much reality.
Wednesday, July 23, 2008
Red-Headed Stepchild Endorses Tuscan Whole Milk
So yeah, I'm still in a friggin' bad mood, but this website is a hoot. Okay, it's two years old and probably everybody has seen it already. Well, it made me laugh, and that's something.
Labels:
Tuscan whole milk
Highs and Lows
It was cold as usual, this morning, in the Ingleside neighborhood of San Francisco, but the sun was shining, and Greta was pretty perky, the Rimadyl having worked its medicine on her hips. I plugged into my iPhone (my son's gift for last Xmas, birthday, and mother's day). I'm still learning how to use it.
I've got Pandora Radio, a free app that transmits your own personal mix of music -- I mean it comes up with a steady stream of songs that it thinks you will like after you give it a few indications as to your faves. I had some reservations about joining the white earbud pack -- after all, I wouldn't be able to hear the birds, not to mention the cars that were going to run us over. But pretty soon, I was bopping down the street to Dylan and Joe Lovano and Sonny Rollins and Johnny Cash and The Who and …
But I turned a corner and lost the connection. So I checked my email instead. Seventy-five new messages since yesterday, including another rejection.
So what is it with my karma lately? I've been on a bad luck streak, drought, jinx, whatever for so long I want to scream and smash things, maybe myself included. People used to like my poems. Have I started writing bad poems? I never was Miss Popularity, but is the muse just not into me? Is it because I'm not young or not MFA'd or "the red-headed stepchild" as I read on somebody's blog this morning?
I've got Pandora Radio, a free app that transmits your own personal mix of music -- I mean it comes up with a steady stream of songs that it thinks you will like after you give it a few indications as to your faves. I had some reservations about joining the white earbud pack -- after all, I wouldn't be able to hear the birds, not to mention the cars that were going to run us over. But pretty soon, I was bopping down the street to Dylan and Joe Lovano and Sonny Rollins and Johnny Cash and The Who and …
But I turned a corner and lost the connection. So I checked my email instead. Seventy-five new messages since yesterday, including another rejection.
So what is it with my karma lately? I've been on a bad luck streak, drought, jinx, whatever for so long I want to scream and smash things, maybe myself included. People used to like my poems. Have I started writing bad poems? I never was Miss Popularity, but is the muse just not into me? Is it because I'm not young or not MFA'd or "the red-headed stepchild" as I read on somebody's blog this morning?
Wednesday, July 16, 2008
Another request
And again, it's not for me. They're putting together a catalog for John's gallery show (in less than a month) of those great opera portraits (see below). They need some words, a quote, something in front of the catalog. I would love him to use Matthews's "Night at the Opera," because I love that poem and I love Matthews. But I wonder if it's right-- its point being about the perfect note and John's shots are about costume and character. However, it's all opera. I dunno. What do you think?
Or do you have anything to suggest? Naturally I'd rather he used a poem -- not just some quote about opera. Let us know what you think.
Meantime my book is being considered somewhere. I get sick to my stomach when I think about it, I'm so anxious. Probably will bomb out once again.
Or do you have anything to suggest? Naturally I'd rather he used a poem -- not just some quote about opera. Let us know what you think.
Meantime my book is being considered somewhere. I get sick to my stomach when I think about it, I'm so anxious. Probably will bomb out once again.
Friday, July 11, 2008
Looking for Super Men
Not what you think! My husband, a super man for sure, sent me this, from the SF Opera. FWIW, it takes a real time commitment, but they seem to have a lot of fun.
SUPERNUMERARY CASTING CALL
July 22, 2008 from 6:30pm – 8:30 p.m.
Zellerbach B Rehearsal Hall
Located at the corner of Hayes and Franklin Streets in San Francisco CASTING MEN ONLY FOR THE 2008 – 2009 SEASON
We are looking for men of all ages to be supernumeraries. Referred to as “supers,” these are the people who volunteer their time in non-speaking roles on stage. While non-speaking and non-singing and often seen in crowd scenes, as soldiers, or in a variety of service roles such as maids, butlers, and ladies-in-waiting, they are essential to the production.
Requirements:
• Flexible schedule – planned rehearsals change frequently and often take place during daytime working hours
• Acting/performing arts experience preferred but not essential
• Children under age 18 require work permit
If you are interested in auditioning, please call 415-565-3200 and leave your name and phone number. You will not receive a return phone call unless there is some change to the audition schedule.
Please be aware that super roles are limited and are cast at the discretion of the stage directors. San Francisco Opera will not be able to use all people who apply.
Time commitment varies per production.
Operas in the 2008 Season with available male super roles include:
Simon Boccanegra
Die Tote Stadt
Idomeneo
Boris Godunov
The Elixir of Love
La Boheme
SUPERNUMERARY CASTING CALL
July 22, 2008 from 6:30pm – 8:30 p.m.
Zellerbach B Rehearsal Hall
Located at the corner of Hayes and Franklin Streets in San Francisco CASTING MEN ONLY FOR THE 2008 – 2009 SEASON
We are looking for men of all ages to be supernumeraries. Referred to as “supers,” these are the people who volunteer their time in non-speaking roles on stage. While non-speaking and non-singing and often seen in crowd scenes, as soldiers, or in a variety of service roles such as maids, butlers, and ladies-in-waiting, they are essential to the production.
Requirements:
• Flexible schedule – planned rehearsals change frequently and often take place during daytime working hours
• Acting/performing arts experience preferred but not essential
• Children under age 18 require work permit
If you are interested in auditioning, please call 415-565-3200 and leave your name and phone number. You will not receive a return phone call unless there is some change to the audition schedule.
Please be aware that super roles are limited and are cast at the discretion of the stage directors. San Francisco Opera will not be able to use all people who apply.
Time commitment varies per production.
Operas in the 2008 Season with available male super roles include:
Simon Boccanegra
Die Tote Stadt
Idomeneo
Boris Godunov
The Elixir of Love
La Boheme
Monday, June 23, 2008
Got my goat(s)

So there I was, walking Greta Garbo near the old reservoir by City College, and lo and behold! Goats. I attempted a cameraphone pic, but as I'm extremely stupid at such things, I assumed it didn't work. But I guess I got something.
Nice weekend. Did some po biz, went to dinner at friends' up in San Anselmo, worked in the garden.
Fog is back.
Friday, June 13, 2008
Request

Back from the park and ready to get to work (despite little glitch in Internet connection, now resolved.) Oh, but I'm feeling good, having got a full 8 hours of sleep. Yes!
Sun is fighting to break through the fog this morning, but earlier, at Pine Lake, the mist was rising from the lake. A cormorant glided toward the edge and disappeared. A large turtle swam just under the surface. Later, the cormorant could be seen drying its wings, as is its wont, on the float in the middle of the lake.
Yesterday, I wanted to post about all the metaphors newscasters (on NPR) use to discuss the news: the fire metastasized. There was a seismic shift in public opinion. I never got around to post yesterday and have now forgotten the other examples I heard. Feel free to add others you've heard in a comment.
I know the posts have been few and far between on this blog of late. Robert has been busy moving and I have just been busy. (And no one else in the group seems to want to post.)
But I have a favor to ask the blogosphere. John (husband) attended a portfolio review (photography) in Santa Fe last week: big deal juried conference. Despite the fact that he was maybe the oldest there and everyone else seemed to know one another from graduate school, he, or rather, his work, got a fantastic reception. A major SF gallery is interested, and a well-known New York (name withheld) art publisher wants to do his book. This book will be his photos of principals, chorus, and supernumeraries in the SF Opera, in costume and in character. But he needs someone to write text to accompany the photos. I know zilch about opera, and the publisher wants someone, preferably, not only knowledgeable, but "with clout." So, if you or someone you know is this person, could you contact us? His website , which usually shows his commercial work, has been refurbished with some of these portraits (even more impressive as large prints). There you will find contact info as well.
Saturday, May 31, 2008
Back home


Back home again, since about midnight last night. Totally jetlagged but pleased to be back. The flight was very long, especially since we spent an hour on the tarmac in NYC.
It was a beautiful, eventful, trip — but it was not relaxing. I must have been out of my mind to think that it would be relaxing. It's never relaxing when we're with John's family. We were all in Maine — from Texas, from NYC, from Boston, from SF (our contingent), from Ireland — and there was antiquing and pingpong and cards and art galleries and a boatride to Monhegan and lots of eating and a whole lot of drinking, but it was not relaxing. Although I did spend some time in the Adirondack chair pictured here reading John's Dublin cousin's novel manuscript.
And there was the wedding of course. "Your typical Maine Irish-Hindu wedding overlooking the ocean" as the minister said. Dramatic clouds and wind, but the rain held off. The bride and groom did a great Argentine tango!
Wednesday, May 21, 2008
Maine chance
Yeah, I'm sure that's the first time that pun was used. Anyway, if all goes well, we'll shortly be off on the red-eye to Maine, for our lovely niece's wedding and a week in Port Clyde of Doing Nothing. Of course my version of doing nothing means: reading, writing, long walks. We're sharing a house with my brother-in-law and his wife and a cousin from Ireland.
I'm excited about the whole deal -- well, not the flight; that sucks. Tomorrow morning we'll have breakfast with my son on his 26th birthday -- in Boston. He and his wife are doing a baseball vacation Back East, and are all set to go to Fenway at noon. Then we drive up to Maine with her sister, our other niece.
The bride is marrying a Indian-Canadian and will be wearing a green sari. There is to be Indian food and music and events all weekend -- clambake on the beach on Memorial day.
I'm trying to deal with leaving my pooch. Someone is coming to look after her, but leaving her is so hard. Your should see her poor pathetic pooch face.
I'm excited about the whole deal -- well, not the flight; that sucks. Tomorrow morning we'll have breakfast with my son on his 26th birthday -- in Boston. He and his wife are doing a baseball vacation Back East, and are all set to go to Fenway at noon. Then we drive up to Maine with her sister, our other niece.
The bride is marrying a Indian-Canadian and will be wearing a green sari. There is to be Indian food and music and events all weekend -- clambake on the beach on Memorial day.
I'm trying to deal with leaving my pooch. Someone is coming to look after her, but leaving her is so hard. Your should see her poor pathetic pooch face.
Friday, May 09, 2008
Islands Apart
I’ve been terrible about blogging. Blame the fact that, as Eavan Boland puts it in an essay I loved in the current Poetry, “Whether we like it or not, the contemporary poet is increasingly skill-based. Or expected to be. He or she can — or should — lecture, lead a workshop, run an introductory class, teach composition, write a review, give a conference paper [and blog!]. But there is always a fraction — even if it’s just a small minority — of poets out in the world who don’t want to do any of these things. If there’s a conversation, they’re having it with themselves, with their own poems. They don’t want to extend it, share it, structure it. They are private, inward, and dissociated from the skills on offer or in demand. Once I thought there was a broad tolerance for this. Now I’m not so sure.”
Meanwhile, we’re finally moving next week to our “new” home across the Bay! “New” is in quotes because it’s the home where I grew up. You can see the booties we’ve been ordered to wear to protect the newly refinished floors. Just wait till our cats move in, though: you won’t catch them in no damn booties!
Meanwhile, we’re finally moving next week to our “new” home across the Bay! “New” is in quotes because it’s the home where I grew up. You can see the booties we’ve been ordered to wear to protect the newly refinished floors. Just wait till our cats move in, though: you won’t catch them in no damn booties!
Friday, April 11, 2008
Squirrels and Turtles and Ducks ...
Oh my! Well, sorry bout that. Not much profundity lurking in this noggin of late. Yeah, I'm depressed, and yeah, what else is new. Didn't sleep very well last night, but this morning, as it's Friday and my day to work at home (instead of commuting an hour+ to Mountain View), I didn't get up in the dark to walk pooch, but took her by car to Stern Grove-Pine Lake.
Spring has sprung. Small birds zipped around. (For all I know, it was the same bird!) You could hear, though not see, an industrious woodpecker. The ducks were paired up, the turtles, a whole bunch of 'em, stretched their necks all the way out as they sunned on a log. Greta, whose squirrel-hunting days are over -- was very excited by their scent nevertheless.
It was really very lovely. Fluffy stuff, like snow, blew on the breeze.
Spring has sprung. Small birds zipped around. (For all I know, it was the same bird!) You could hear, though not see, an industrious woodpecker. The ducks were paired up, the turtles, a whole bunch of 'em, stretched their necks all the way out as they sunned on a log. Greta, whose squirrel-hunting days are over -- was very excited by their scent nevertheless.
It was really very lovely. Fluffy stuff, like snow, blew on the breeze.
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